Cycles with Alejandro Ibarra

Sharing our upbringing in Mexico City, Alejandro and I fostered our relationship back in 2012. We were both living in New York at the time. I was just about to start my studies at Parsons where he was finishing his. We grew up in the same community, went to the same school and regardless of the age gap, we happened to share many friends, who along the years, still keep close. It’s funny how in life we experience “cycles” - this was our most recent conversation during my latest trip to Miami. 

In Miami, I saw my childhood best friend who I hadn't seen in over 10 years. This person from my past came to my life just as I am closing another cycle, and with an exciting collaboration on the books between Ale and Odissea, it led me to think “this” was perfect for this months interview.

As a contemporary artist meaning is to be found in the most elusive ways. How do you manage to convey an idea of life cycles? the constant change and evolution we humans encounter by nature. Alejandros pieces are made of round discs. Their circumference represent mobility - how following a perimeter pushes you away to an extreme and eventually sends you back to the starting point. Life, surprisingly tends to bring us back to the past, maybe to close unfinished matters?

O: Tell us how it started, what led you to make your “Cycles”  sculptures

A: Through my sculptures, I sought to capture the ephemeral nature of life, the way that each cycle gives way to the next, like the gentle unfolding of a lotus flower. I wanted to convey the idea that permanence is an illusion, and that our only constant is change.

By creating the circles to be reassembled in different ways, I aimed to create a sense of participatory ownership, inviting the viewer to become a co-creator in the artistic process. It's a reminder that our lives are constantly evolving, and that we must learn to embrace the uncertainty and impermanence that comes with each new cycle.


O: Working on this project, I am sure you had many revelations about life, things, sequences even. Tell us about it

A: One of the biggest revelations I've had was, the importance of letting go. I used to struggle with holding on to things, memories, friendships, ideas, etc. Creating "Cycles" has taught me that life is constantly evolving, and that we must learn to release and embrace the next. It's not always easy, but it's necessary for growth and healing.

I've also come to appreciate the beauty of imperfection and impermanence. Our society often values perfection and permanence, but "Cycles" has shown me that it's the imperfections and the fleeting moments that make life rich and meaningful. It's okay for things to fall apart and come back together differently, that's where the magic lies.

Lastly, working on "Cycles" has deepened my understanding of the interconnectedness of all things. We're all part of larger cycles, and our individual experiences are reflected in the world around us. It's a powerful reminder of our responsibility to each other and the planet.

Overall, "Cycles" has been a journey of self-discovery and growth for me, and I hope that it inspires others to embrace the beauty and complexity of life's cycles.

O: Since becoming an artist, what ideals do you live your life through. Are there any ways of thinking, philosophies, practices that you have connected with since being more vulnerable to your creativity?

A: Since becoming an artist, I've learned to embrace the ideals of beginner's mind, imperfect perfection, intentional play, and vulnerability. And, I've also come to understand the importance of not attachment to others' opinions of my work. Initially, when I shared my art, I craved validation and approval from others. But, I've come to realize that not everyone will resonate with my work, and that's okay! It's like in life, there's something for everyone. What resonates with one person might not with another.

Now, I focus on creating from a place of authenticity and honesty, without attachment to how others might receive it. It's liberating to know that my work is a part of myself, and while some might not connect with it, others will. I've learned to cherish the connections I make with those who do resonate with my art, and let go of the need for universal approval.

This mindset shift has allowed me to create more freely, take risks, and grow as an artist. It's a continuous process, but I've come to understand that my work is not a reflection of my worth. It's just a part of my journey, and I'm grateful for the people who do connect with it.

O: As I mentioned earlier, life works in funny ways, and we talked about cycles, where in your life cycle do you think you stand right now

A: I believe I'm currently in a phase of transformation and renewal, both in my creative journey and personal life. I'm closing a cycle of 16 years in the USA, a chapter that has shaped me into the person I am today. As I leave behind the familiarity and comfort of this life, I'm met with a mix of emotions, nostalgia, excitement, and uncertainty.

Simultaneously, my art is undergoing a metamorphosis, reflecting the changes within me. I'm venturing into uncharted territories, experimenting with new mediums and themes that challenge my perspectives and push my creative boundaries. It's a process of unlearning and relearning, letting go of the old to embrace the new.

As I transition into this new phase, I'm reminded that life is a series of cycles, each one building upon the last. I'm curious to see how my experiences, both personal and creative, will intertwine and shape the next chapter of my life in Mexico. How will the vibrant colors, rich culture, and warmth of the Mexico influence my art? How will the unknown terrain and unfamiliar rhythms reshape my perspective?

In this liminal space, I find myself suspended between the past and the future, between what was and what's yet to come. It's a vulnerable and exhilarating place to be, full of possibilities and promise. As I take this leap of faith, I trust that the threads of my creativity and curiosity will weave together in unexpected ways, revealing a tapestry of growth, self-discovery, and beauty.

“It's okay for things to fall apart and come back together differently, that's where the magic lies”

- Alejandro Ibarra

O: you left Mexico a really long time ago too. For me even tho my life is in the US  there’s still a feeling of not belonging entirely, but going back to Mexico, I often feel misplaced - do you have a similar feeling?

A: As someone who has also left Mexico a long time ago, I can relate to the feeling of not fully belonging in either the US or Mexico. It's as if we're caught between two worlds, with a foot in each country but not fully rooted in either. This sense of displacement can be unsettling, like we're perpetually straddling two cultures without a clear sense of belonging.
For me, this feeling manifests in moments when I'm nostalgic for the familiarity of Mexico but also aware that I've grown apart from it. When I return to Mexico, I experience a disconnect between the memories and the current reality. It's like trying to fit a puzzle piece that no longer matches.

Similarly, in the US, I sometimes feel like an outsider looking in, even after many years of living here. It's as if I'm observing American culture through a lens that's forever tinted by my Mexican upbringing. I've come to realize that this feeling of not quite belonging is a shared experience among many of us who've lived between cultures. It's a reminder that our identities are complex and multifaceted, shaped by the intersections of our past and present experiences.

I've learned to embrace this in-betweenness, recognizing that it's a unique privilege to straddle two worlds. By acknowledging and honoring both cultures, I strive to create a sense of belonging that's authentic to me, even if it doesn't fit neatly into one category.

O: Tell about one thing that has happened to you that changed your life completely, something that made you appreciate and see life differently. 

A:  For me, it was my journey with art that changed my life completely. Creating art helped me find solace, express emotions, and connect with others in a meaningful way. It was a transformative experience that showed me the power of self-expression and the impact it can have on others. Art became a source of purpose and fulfillment, allowing me to see life's beauty and depth. Through art, I learned to appreciate the little things and find value in my existence. It's amazing how one experience can transform our perspective and help us grow.

O: If you had a piece of advise for people trying to find their “voice” what would that be?

A:  For me, finding my voice was a journey of self-discovery and experimentation. My advice would be to embrace your uniqueness and don't try to mimic others. Experiment with different mediums and styles until you find what feels authentic to you. Don't be afraid to take risks and make mistakes, they're an essential part of the process. Also, listen to your inner voice and let your emotions guide you. And most importantly, be patient and kind to yourself, finding your voice takes time. Remember, your voice is yours alone, and it's okay to evolve and change. Just keep creating and stay true to yourself.

O: Tell us 5 things you own that you love, and why.

A: 1. My kiln: I adore my kiln because it allows me to bring my creative visions to life. The process of firing and glazing is both meditative and thrilling, and I can't wait to see how each piece evolves. When I open the kiln, it's like Christmas morning. I never know exactly what I'll get, but I know it'll be something special.

2. My wig collection: Oh, my wigs! They're my secret party weapon. I love watching my friends transform into entirely new characters with just a quick change of hair. It's hilarious to see someone go from a serious, straight-laced person to a vibrant, flamboyant diva, in an instant. My wigs bring people together and create unforgettable moments.
3. The Very Hungry Caterpillar book: Ah, that little caterpillar gets me every time! There's something so reassuring about revisiting a childhood favorite. Whenever I need a pick-me-up, I grab that book and revisit the simple joys of life. It reminds me that sometimes the smallest things bring the greatest happiness.
4. My collection of cards and postcards: Each card and postcard holds a special memory for me, like a snapshot of a moment in time. Reading through them is like reliving all those happy moments over again. It's a reminder that even though life gets busy, the love and connections we share with others stay with us forever.
5. My Odissea rings: Wearing my Odissea rings is like carrying a piece of art with me wherever I go. I love how they spark conversations and connect me to others who appreciate the beauty in the details. Nathalie Martinez's craftsmanship is exceptional, and I feel like I'm wearing a tiny piece of her creative soul on my finger.

O: Having lived in New York for so long and now Miami, what do you think when you come back to NY. 

A: Returning to New York is a complex experience for me. Initially, it was difficult to come back, as I felt a strong attachment to the city and struggled to understand why I had left. However, with time, I've come to realize that my time in New York had naturally come to a close, and I needed to move on to new experiences. Now, when I visit, I see it as an opportunity for closure and reflection, acknowledging that my NYC chapter has ended, but also leaving room for the possibility of a new cycle to begin in the future. I've come to accept that life is full of unexpected twists and turns, and who knows, maybe one day I'll reopen my NYC cycle and start a new chapter.

O: Is there anything else you would like to share?

A: I'm always excited to see what's next for Odissea! Their designs are truly exceptional, and I love how they push the boundaries of creativity and craftsmanship. I have no doubt that their future plans will be just as impressive and inspiring as their previous work. Whether it's a new collection, collaboration, or surprise, I'm eager to see what they come up with next! Odissea consistently raises the bar, and I'm honored to be a fan of their work.

Thank you!

Alejandro is wearing our Cha Cha set, Perlumtte Dalmatian Ring & Knot Ring

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Odissea's 5th Anniversary & CDMX showroom